SKU: 29981071277

Kopu® Calma Parasolset Rond 300 cm met Hoes en Voet - Antraciet

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Description

Kopu® Calma Parasolset Rond 300 cm met Hoes en Voet - AntracietKopu Calma 300 cm ronde parasol: geniet van buitencomfort in stijl. Ervaar buitengeluk met de Kopu Calma ronde parasol. Deze premium zonwerende parasol combineert functionaliteit met een elegant ontwerp om uw buitenruimte naar een hoger niveau te tillen. Met een royale diameter van 300 cm biedt hij voldoende schaduw om te loungen, dineren of gewoon buiten op zonnige dagen te ontspannen. Deze paraplu is vervaardigd met aandacht voor detail en beschikt

Kopu® Calma 300 cm ronde parasol: geniet van buitencomfort in stijl.

Ervaar buitengeluk met de Kopu® Calma ronde parasol. Deze premium zonwerende parasol combineert functionaliteit met een elegant ontwerp om uw buitenruimte naar een hoger niveau te tillen. Met een royale diameter van 300 cm biedt hij voldoende schaduw om te loungen, dineren of gewoon buiten op zonnige dagen te ontspannen. Deze paraplu is vervaardigd met aandacht voor detail en beschikt over een stevige aluminium parasolpaal gecoat in strak antracietgrijs, die naadloos past bij elk buitendecor. Het hoogwaardige polyesterweefsel, met een gewicht van 220 gram per vierkante meter, zorgt voor duurzaamheid en superieure bescherming tegen de elementen.

Belangrijkste kenmerken:

Royale schaduwdekking: Met een diameter van 300 cm biedt de Kopu® Calma voldoende schaduw om u koel en comfortabel te houden op zonnige dagen.

Duurzame constructie: Deze paraplu is gemaakt met een robuuste aluminium paal en hoogwaardig polyesterweefsel en is gebouwd om de ontberingen van buitengebruik te weerstaan, waardoor langdurig plezier gegarandeerd is.

8 Baleinen (ook wel parasolribben geheten) voor verbeterde stabiliteit: De paraplu is uitgerust met 8 stevige parasolbaleinen die zijn ontworpen om het canvas strak te houden en voor extra stabiliteit te zorgen, zelfs op winderige dagen.

Handig opwindsysteem: Met een gebruiksvriendelijk opwindsysteem kan deze paraplu moeiteloos worden geopend en gesloten, waardoor een probleemloze installatie en opslag mogelijk is.

Kantelbaar: De Kopu® Calma beschikt over een kantel-systeem met een goede hoek van 45 graden, waardoor een optimale schaduwdekking wordt geboden zonder uw zicht of zitopstelling te belemmeren.

 Voordelen van Kopu® Calma Ronde Parasol

  1. Premium kwaliteit: Gemaakt met hoogwaardige materialen en nauwgezet vakmanschap, garandeert de Kopu® Calma uitzonderlijke duurzaamheid en prestaties.
  2. Stijlvol ontwerp: Verfraai uw buitenruimte met het strakke en moderne ontwerp van deze parasol en voeg een vleugje verfijning toe aan elke omgeving.
  3. Moeiteloze bediening: Het handige opwindsysteem zorgt voor een snelle en gemakkelijke inzet, waardoor u moeiteloos van de schaduw kunt genieten, waar u ook bent.
  4. Veelzijdig gebruik: Of u nu bij het zwembad ligt, een barbecue in de achtertuin organiseert of ontspant op het terras, de Kopu® Calma biedt veelzijdige schaduwoplossingen voor elke buitenactiviteit.
  5. Weerbestendigheid: Deze paraplu is ontworpen om de elementen te weerstaan en biedt betrouwbare bescherming tegen fel zonlicht, UV-stralen en lichte regen, waardoor het hele jaar door comfort buitenshuis wordt gegarandeerd.

Compleet met hoes en voet
De set wordt compleet geleverd met een handige parasolhoes, waardoor je jouw parasol gemakkelijk kunt opbergen en beschermen wanneer hij niet in gebruik is. Bovendien wordt een vulbare parasolvoet meegeleverd voor extra stabiliteit en veiligheid, zelfs op winderige dagen. De parasolvoet kan gevuld met zand of water. Zand geeft het zwaarste tegengewicht, totaal wordt de voet dan 45 kg. Er zijn wielen meegeleverd, dus je kunt de voet eenvoudig verplaatsen.

Verbeter uw lounge-ervaring buiten met de Kopu® Calma Ronde Parasol. Ontworpen om functionaliteit met stijl te combineren, is dit premium zonnescherm de perfecte aanvulling op elke buitenruimte en biedt superieure schaduw en comfort voor al uw buitenavonturen.

Eigenschappen

  • Model Parasol: Rond
  • Soort: Staand
  • Kleur: Antraciet
  • Windvanger: Ja
  • Materiaal Doek: Polyester
  • Maat: Ø 300 cm
  • Volant: Nee
  • Kleur Frame: Grijs
  • Materiaal Frame: Aluminium
  • Aantal Baleinen: 8
  • Mechanisme: Katrol
  • Kantelbaar: Ja

In de doos

  • 1 parasol Calma rond 300 cm
  • Bijpassende parasolhoes
  • Vulbare Parasolvoet 45 Kg Antraciet

Over Kopu®
Bij Kopu zeggen we altijd: Wij verkopen geen tuinkussens en parasols, maar 'lekker buiten zitten'. Dat kan natuurlijk alleen als de kwaliteit van de producten top is en er snel geleverd wordt! Wij staan al meer dan 10 jaar klaar met een grote collectie tuinkussens, schaduwdoeken, en parasols, zodat je buiten moment een geniet moment wordt.

Onderhoud 
Het polyester doek kan worden schoongemaakt met lauw water en groene zeep. Zorg er na het schoonmaken wel voor dat het doek uitgeklapt droogt om schimmelvorming te voorkomen. Hiervoor hoeft niet perse de zon te schijnen, wind droogt ook. Houd er rekening mee dat, ondanks de UV-bescherming, het doek kan verkleuren in verloop van tijd. Voor een lange levensduur wordt aangeraden de parasol te voorzien van een hoes. Daarnaast adviseren we de parasol na de zomermaanden en met slecht weer ingeklapt op een beschutte plek op te slaan.

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SKU: 29981071277

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4.4 ★★★★★
Based on 8 reviews
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Product Reviews
J
Verified Purchase
jk Smiles
Bozeman, US
★★★★★ 5
A book on dialogue should be experienced first as a book on tape
Format: Audio CD
I think of this more as a great master class lecture. Dialogue should be seemingly simple (we all talk), but McKee defines its essence and differences for prose, stage and cinema. The bulk is narrated by McKee, but the scene examples are read by voice actors and they do quite well. Even the roots of the English language are examined in order to make better decisions on your character's particular use of words. After listening the 10 hours twice while commuting, I finally picked up the book and read it. The book on tape is a better way to initially absorb the material, while the actual book helps to clarify the info. A must for all writers, especially screenwriters.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 30, 2018
L
Verified Purchase
Lori T. Sly
Lowell, US
★★★★★ 4
Helpful, but not as good as "Story" by same author, and it disses certain genres
Format: Hardcover
This book contains a lot of helpful information on how to write dialogue. It's dense with dialogue analysis and insights, tough to take in by just reading it through once. But it is helpful. McKee covers the three dialogue tiers (said, unsaid, unsayable) as well as how dialogue ties into story turning points and scene conflict type. I still have lots of practice ahead of me to figure out how best to do this in my story. I will definitely use his advice as a guide. He understands dialogue at a much deeper level than I do. However, many of McKee's dialogue examples did not speak to me. While I liked reading the dialogue examples for Breaking Bad, 30 Rock, The Sopranos, Frasier, A Raisin in the Sun, and The Great Gatsby, and agreed they were good, I disliked the dialogue from Shakespeare, Elmore Leonard, Sideways, Fraulein Else, and Lost in Translation. McKee says fine dialogue turns the reader/audience into a mind reader; I guess I'm not interested in movies which expect me to be as much of a mind reader as those latter examples did. I totally missed the subtext of the dialogue in those until he explained it to me as an aside. And that's after I already saw most of those movies! If I have to guess what every character means with every line, that's too much work and too little entertainment for me. Maybe mystery lovers liked the dialogue in "Lost in Translation"; I'm not a mystery lover. McKee quoted one novelist as saying that the crux of good writing is to, "Make em laugh, make em cry, make em wait." Lost In Translation and its dialogue did none of that for me. The subtext was so confusing and subtle that I lost interest in the movie. I can't even remember what it was about anymore, only that it won some award and I had no clue why. McKee says that with rare exceptions, a scene should never be outwardly and entirely about what it seems to be about. Dialogue should imply, not explain, its subtext. An ever-present subtext is the guiding principle of realism. Nonrealism, on the other hand, employs on-the-nose dialogue in all its genres and subgenres: myth and fairytale, science fiction and time travel, animation, the musical, the supernatural, Theatre of the Absurd, action/adventure, farce, horror, allegory, magical realism, postmodernism, dieselpunk retrofuturism, and the like. It's a bit unclear how, if at all, anyone writing in any of these "nonreal" genres should take his dialogue advice. It seems to me that even sci fi scenes need some good dialogue with subtext to be engaging. With McKee, all the accolades go to what is implied and unsaid over what is said. I agree that subtext matters, but for me, he's out of proportion with how much it matters to most people and how hard audiences are willing to work to discover the intended subtext. Also, memorable spoken character lines can elevate movie themes and characterization like nothing else. In the end, I think this book is geared more toward writers who want other advanced writers as their audience rather than the average reader or movie watcher. And McKee admits it is definitely not geared toward sci fi, fairytales/myths, action/adventure, horror or allegory. It's almost as if he's saying those genres can't have excellent dialogue. I disagree. But it was still a helpful book to read, and one I will be thinking about and trying to more fully understand for a long time. McKee understands how character's subconscious drives can deepen what they say or avoid saying, and how dialogue interacts with many other aspects of a story to make it all work together.
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Reviewed in the United States on December 12, 2019
R
Verified Purchase
Ray Pryor
Grantham, US
★★★★★ 5
Amazing.
Format: Kindle
Just like a good movie, the first 10 pages = mind blown. Wow, such really, really good material here. If you're new, this will help you a ton. If you're experienced, this book will help you realize WHY great dialogue is so great, enabling you to create the magic again and again. I love how McKee covers several medias ( screen, theater, novel ) but still stays true and clear on the concept. A virtual masterclass on the subject. One of the best screenwriting books out there, and Yes, it's well worth all the hype.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 18, 2017
K
Verified Purchase
Kindle Customer
Massapequa, US
★★★★★ 5
So to speak
Format: Kindle
Previews did not show the Table of Contents, but it is worth searching the web for. The coverage includes practical techniques as well as case studies. Notes cover titles on topics over several decades. This book has four parts about what dialogue is, how it can mended, and how it can be created and designed. Trialogue, the third thing through which a pair of characters channel conflict in conversation, is an interesting concept because it overlaps social networks or media and comms devices; it is also looked at historically. Dialogue is reportedly the quickest way to fix a narrative text since it appeals to intuition. Those levels of depth are what the book is about. They can be found in first person voice. The approach could easily fill a site on the order of tropes for favorite titles, but for deconstruction and revision, which are also relevant to works in progress. It talks about finding characters in the dark, though not necessarily from the milieu, unless it were compressed and made to transfer meaning like in poetry, but reflexive so that it is symmetrical to the characters or human nature. If there is a boundary to be found, then this method is going to hit the lines to find out what happens then. The impact on the rest of the narrative elements is discussed. This extends back through the early philosophers, through tragedy, the merging of European roots into English, and the study of personalities to contemporary customs. Voice is plot.
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Reviewed in the United States on June 12, 2017
C
Verified Purchase
cf otto
Birmingham, US
★★★★★ 5
ONE OF THE TWO BEST BOOKS ON SCREENWRITING
Format: Hardcover
Probably the best book on screenwriting ever (besides Egri), though there is also much here for the novelist and playwright. I am a professional TV writer, of long-standing (35 years), and I can tell you I used this book to figure out how to fix the problems of a complex pilot I'm writing; the author truly " guided me home." And lest you think I'm a McKee sycophant, I am not. I found little in STORY for me. The only thing I disagree with in DIALOGUE is that the author sells his own work short: it isn't just for those who are "lost" in their writing, like me, and the student, it's for anyone who writes fiction for a living, in any form, no matter how much experience they have. It's that good.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 14, 2016

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