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Description
Masonite Traditional 24-in x 80-in Natural Flush Unfinished Hardwood Veneer Bifold Door (Hardware Included)Unfinished Hardwood Veneer Bifold Closet Door, 24x80, Hardware Included This Masonite Traditional bifold door features a smooth, flush hardwood veneer face in a natural, ready to stain finish to complement any dcor. Its hollow core construction resists warping and keeps weight low, while the included track and hardware make installation straightforward for closets or pantries. Key Features: Space Saving Design: Bifold configuration maximizes floor
Unfinished Hardwood Veneer Bifold Closet Door, 24x80, Hardware Included
This Masonite Traditional bifold door features a smooth, flush hardwood veneer face in a natural, ready-to-stain finish to complement any décor. Its hollow-core construction resists warping and keeps weight low, while the included track and hardware make installation straightforward for closets or pantries.
Key Features:
- Space-Saving Design: Bifold configuration maximizes floor space for closets and pantries.
- Ready to Finish: Natural, unfinished hardwood veneer surface is ready to stain to match your trim.
- Easy Installation: Track and frame hardware included for a simplified setup.
- Durable Construction: Hollow-core design resists warping, shrinking, and cracking.
- Clean Aesthetic: Smooth, flush panel delivers a contemporary, minimalist look.
Specifications Table:
| Specification | Details |
|---|---|
| Series Name | Traditional |
| Type | Bifold |
| Common Size (W x H) | 24-in x 80-in |
| Actual Width (Inches) | 23.5 |
| Actual Height (Inches) | 79 |
| Door Thickness (Inches) | 1.375 |
| Material | Veneer |
| Wood Species | Hardwood |
| Core Type | Hollow core |
| Panel Type | Flush |
| Door Surface | Smooth |
| Color/Finish Family | Brown |
| Manufacturer Color/Finish | Natural |
| Door Finish | Unfinished |
| Prefinished | No |
| Primed | No |
| Textured Surface | No |
| Hollow Core | Yes |
| Solid Core | No |
| Stained | No |
| Unfinished | Yes |
| Smooth Surface | Yes |
| Glass Tint | None |
| Handing | Universal |
| Hardware Included | Yes |
| Finish or Rough Opening Width (Inches) | 24 |
| Finish or Rough Opening Height (Inches) | 80.75 |
| Weight (lbs.) | 21 |
| Warranty | 1-year limited |
Frequently Asked Questions (FAQ):
Q: Is the door prefinished or primed?
A: No. It is an unfinished hardwood veneer with a smooth surface, ready to stain.
Q: What hardware is included?
A: The kit includes the bifold track, bracketry, knob, pins, and mounting screws for installation.
Q: What is the actual slab size?
A: Approximately 23.5 in W x 79 in H x 1.375 in thick, for a 24-in x 80-in opening.
Q: Is the door handed?
A: No. It has universal handing and can be installed to open left or right.
Q: Does it have glass or panels?
A: No. It’s a flush, smooth slab with no glass.
Minimalist Warmth, Effortlessly Framed
This flush hardwood veneer bifold whispers modern restraint while bathing the room in the warmth of natural grain. The uninterrupted surface becomes a quiet, elegant plane—perfect for streamlined closets or laundry nooks. Pair it with matte black hardware and a pale, linen wall for a chic contrast. It’s an essential layer of luxury living—understated, functional, and beautifully adaptable.
Elevate your storage with this easy-to-install, ready-to-stain Masonite bifold door—add it to your cart today.
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4.0 ★★★★★
Based on 10 reviews
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Product Reviews
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation.
I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation.
For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following:
ABA webinar available with an internet search for "Storytelling for Lawyers"
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Reviewed in the United States on July 25, 2018
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
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Reviewed in the United States on February 10, 2014
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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