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JACKSON: Large Capacity Waterproof BackpackJACKSON 22L 29L 17. 3 12. 9 iPad JACKSON : 12. 9 iPad YKK 17: 17 iPad 12,9 : H17. 7W12. 5D5. 9cm : 2. 61. 20 kg : 2229 L
多用途に使えるよう設計された JACKSON は、22L から 29L まで簡単に拡張でき、ニーズに適応します。17.3 インチのノートパソコンと 12.9 インチの iPad 専用のコンパートメントを備え、デバイスを安全に保管できます。防水素材と反射安全ストライプで作られており、保護性と視認性の両方を備えています。チェスト バックルでさらに安全性を高め、モダンでスタイリッシュなデザインを採用した JACKSON は、雨の日も晴れの日も、あらゆる冒険に対応します。
ジャクソンの特徴を学びましょう:
- 防水： ラップトップ、12.9 インチ iPad、携帯電話、その他すべてのギアを雨から守ることなら、もう心配する必要はありません。上品なマーク ライデン バックパックは、急なモンスーンの暴風雨の中でも持ち物をカバーできるように特別に設計されています。オックスフォード生地を使用することで、 YKK®ジッパー、耐久性を高め、豪華な外観を与える当社のバッグは、お客様の最高の期待に応える準備ができています。
- 快適で通気性： パッド入りショルダーストラップとバックパックをつなぐ弾力のある快適な素材は、肩への負担を大幅に軽減し、背中の痛みを防ぎます。 通気性のあるバックシステムで、背中の痛みを文学的に忘れることができます。 厚みのあるセルラー ネットワークを備えたバックパックの裏側は、肩に快適さを提供し、セルラー ベンチレーションが発汗を防ぎます。
- 17インチのノートパソコン対応: 内側にパッド入りポケットを備えたこのバックパックは、すべての電子機器や日用品を詰め込むのに十分なスペースを提供します。どのラップトップ ブランドがお気に入りかは関係ありません。このバックパックは、17 インチ iPad を含む、市販されているすべての 12,9 インチ ラップトップに適しています。出張用のすべての電子機器や旅行用アクセサリーを収納するのに十分なスペース。ショルダーストラップカードポケット、隠し盗難防止バックポケット、快適なハンドル、サイドポケット、スーツケースマウント、または三角固定ベルト。
- トレンディ: 完璧なフォルムとエレガントなブラックの組み合わせは、あらゆるビジネスミーティングのドレスコードにフィットします。
サイズ：
H17.7×W12.5×D5.9cm
重量 :
2.6ポンド（1.20 kg）
容量:
22〜29 L
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4.5 ★★★★★
Based on 15 reviews
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Product Reviews
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation.
I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation.
For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following:
ABA webinar available with an internet search for "Storytelling for Lawyers"
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Reviewed in the United States on July 25, 2018
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
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Reviewed in the United States on February 10, 2014
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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