SKU: 53281908376

Everlands Frosted Killington Fir Christmas Tree 210cm / 7ft

Sale price$116.05 Regular price$128.95
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Description

Everlands Frosted Killington Fir Christmas Tree 210cm / 7ftThe Everlands Killington Fir combines luxury with outstanding value, offering a premium 210cm (7ft) artificial Christmas tree at an exceptional price. What truly sets this tree apart is its comprehensive 12 year warranty (available upon registration), demonstrating Everlands' confidence in its superior construction and longevity. This sophisticated artificial tree features a light, natural looking frost effect that captures the enchanting appearance

The Everlands Killington Fir combines luxury with outstanding value, offering a premium 210cm (7ft) artificial Christmas tree at an exceptional price. What truly sets this tree apart is its comprehensive 12-year warranty (available upon registration), demonstrating Everlands' confidence in its superior construction and longevity.

This sophisticated artificial tree features a light, natural-looking frost effect that captures the enchanting appearance of a winter morning's snow. Each branch is meticulously detailed with a subtle frosted finish, creating an elegant look that elevates any holiday décor scheme.

Key features and value highlights:

  • Height: 210cm / 7ft - perfect for rooms with standard ceiling heights
  • Industry-leading 12-year warranty (with registration)
  • Premium PE/PVC mixed tips for realistic appearance and durability
  • Natural-looking frost effect that catches light beautifully
  • Outstanding price-to-quality ratio 
  • Sturdy construction for years of holiday enjoyment
  • Easy assembly and storage

When you consider the 12-year warranty and premium construction, this tree represents exceptional value compared to buying a real tree each year. The dense, well-crafted branches and sophisticated frosting will maintain their beauty season after season, making this an investment that pays for itself many times over.

Whether styled with classic ornaments or contemporary decorations, this frosted Killington Fir creates a sophisticated winter wonderland effect that will become the centerpiece of your festive celebrations for years to come. Its versatile design works beautifully with any color scheme, from traditional reds and golds to modern metallics and neutrals.

SIZE GUIDE & SPECIFICATION

Set Includes: 
1x Frosted Killington Fir 7ft complete with metal base stand with rubber feet

Assembly Required: Yes, but minimal. No special tools required. Central stem comes in 3 interconnecting sections. All branches are pre-hinged for speedy construction. 

  • Needle type: real needle/soft needle
  • Number of branches: 52
  • Number of tips: 1138
  • Quantity tips PE: 385
  • Quantity tips PVC: 753

Dimensions:

  • Max diameter of 103cm at the widest points
  • Number of tips: 1138
  • Stem diameter: 220mm
  • Base diameter: 510mm

Material: PE / PVC Mix

"Easy up tree." This means all branches are pre-hinged making it very quick and easy to erect and take down

Heavy-wire Construction and steel frame for extra durability and repeated packing away

Complete with quality cardboard box which is great for storage year after year. 

UV Stable to maintain original natural colouring

"Real Needle" with moulded tips that provide extra realism: A 'Feel real' tree has realistic moulded pine needles located on the ends of each branch to the outside of the tree. This added dimension of realism replicates the richness of life-like branches on a living tree. The core of the tree is packed with flat PVC needles which gives a fuller appearance.

Folded tip ends according to French legislation (Preventing sharp / pointed branch ends) for your safety

WARRANTY

This tree comes with a 2 year warranty but can be easily extended to 12 years at no extra cost. Once you receive your tree, please visit Everlands Warranty website to register. You'll need your receipt number and the item number and product details which are printed on your tree box.

Shipping Notes
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Exchange/Return Notes
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SKU: 53281908376

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4.3 ★★★★★
Based on 21 reviews
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Product Reviews
J
Verified Purchase
JR
Birmingham, US
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 25, 2018
T
Verified Purchase
Tahoeman
Cuba, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Fort Morgan, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Massapequa, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Verified Purchase
Matt M.
Boise, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021

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