SKU: 43621866433

CALI Mute Step Sunset Koa 6.5-mm x 7-in W x 48-in L Waterproof Luxury Vinyl Plank Flooring (24.03-sq ft/case)

Sale price$99.41 Regular price$110.45
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Description

CALI Mute Step Sunset Koa 6.5-mm x 7-in W x 48-in L Waterproof Luxury Vinyl Plank Flooring (24.03-sq ft/case)CALI Mute Step Sunset Koa Waterproof LVP Flooring, 24. 03 sq ft case CALI Mute Step luxury vinyl planks deliver waterproof performance with a cushioned attached acoustic pad for quieter, more comfortable floors. The GeoCore limestone composite rigid core and 20 mil wear layer stand up to pets, kids, and heavy traffic while showcasing a rich Sunset Koa wood look. Key Features: Waterproof Durability: 100% waterproof planks resist spills and moisture in

CALI Mute Step Sunset Koa Waterproof LVP Flooring, 24.03 sq ft/case

CALI Mute Step luxury vinyl planks deliver waterproof performance with a cushioned attached acoustic pad for quieter, more comfortable floors. The GeoCore limestone composite rigid core and 20 mil wear layer stand up to pets, kids, and heavy traffic while showcasing a rich Sunset Koa wood look.


Key Features:

  • Waterproof Durability: 100% waterproof planks resist spills and moisture in kitchens, baths, and basements.
  • Rigid Core Stability: GeoCore limestone composite core improves dimensional stability and dent protection.
  • Quieter Underfoot: Built-in acoustic underlayment pad reduces sound and adds comfort.
  • DIY-Friendly Install: Angle-angle click system supports floating or glue-down installation and easy scoring/cutting.
  • Long-Lasting Finish: Extra-thick 20 mil acrylic wear layer with scratch- and stain-resistant surface; FloorScore certified.

Specifications Table:

Specification Details
Series Name Mute Step
Manufacturer Color/Finish Sunset Koa
Color/Finish Family Brown
Color Shade Medium
Pattern Wood look
Actual Length (Inches) 48.03
Actual Width (Inches) 7.2
Actual Thickness (Millimeters) 6.5
Thickness Measurement 6-1/2-mm
Width Measurement 7-in
Length Measurement 48-in
Vinyl Plank Width Wide plank (7-in+)
Wear Layer Thickness (Mils) 20 mil (0.5 mm)
Protective Wear Layer Acrylic
Edge Type Beveled
Pieces per Carton 10
Square Footage Per Carton 24.03 sq ft
Floating Yes
Installation Type Interlocking or glue down
Locking Mechanism Angle-angle
Underlayment Included Yes, attached acoustic pad
Scratch Resistant Yes
Stain Resistant Yes
Skid Resistant No
Textured Yes
Gloss Level Medium
Use Location Indoor
Water Resistant Yes (100% waterproof)
Commercial/Residential Commercial/Residential
Phthalate Free No
Style Contemporary
Variable Length No
Variable Width No
Sold As Carton
Corresponding Moulding Item Numbers 5121987, 5121988, 5121933, 5121932, 5121931
Sample Available Yes
UNSPSC 30161700
FloorScore Certified Yes
Warranty 50-year residential / 15-year commercial

Frequently Asked Questions (FAQ):

Q: How many planks come in a carton and what area will it cover?
A: Each carton includes 10 planks and covers 24.03 square feet.


Q: What are the exact plank dimensions?
A: Each plank is approximately 48.03 in L x 7.2 in W x 6.5 mm thick.


Q: Is underlayment required?
A: No—an attached acoustic underlayment pad is included, though additional underlayment is not necessary for floating installs.


Q: Can this flooring be installed in bathrooms or basements?
A: Yes, it is 100% waterproof and suitable for indoor areas including kitchens, bathrooms, and basements.


Q: What installation methods are supported?
A: Planks feature an angle-angle click system for floating installation and can also be glued down.


Sunset Koa: Warmth and Quiet in One Luxe Plank

Sunset Koa washes a room in rich caramel and cocoa tones, creating a modern sanctuary with island warmth. The sweeping grain pattern becomes a statement backdrop that pairs beautifully with matte black fixtures and creamy textiles. Float it seamlessly through open living spaces to visually elongate the room while the integrated acoustic pad keeps footsteps hushed. It’s a refined foundation that makes everyday luxury feel effortless.


Transform your space with waterproof, quiet comfort—order CALI Mute Step Sunset Koa today.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
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Exchange/Return Notes
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  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 43621866433

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4.0 ★★★★★
Based on 16 reviews
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Product Reviews
D
Verified Purchase
David R. Papke
Louisville, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Carnegie, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
West Palm Beach, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Grantham, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Cuba, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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