SKU: 4103243307

VSOL V2802DAC Dual-Band WiFi 5 xPON ONT/ONU with 2x Gigabit Ethernet Ports

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Description

VSOL V2802DAC Dual-Band WiFi 5 xPON ONT/ONU with 2x Gigabit Ethernet PortsBlazing Fast, Uninterrupted Connectivity for Your Home or Office Experience the next level of fiber optic internet with the VSOL V2802DAC, a high performance xPON Optical Network Unit (ONU) designed to meet the demanding needs of modern FTTH (Fiber to the Home) networks. This versatile device functions as both an ONU and a powerful WiFi 5 router, delivering seamless, high speed internet access for all your devices. Whether you're streaming 4K content,

Blazing-Fast, Uninterrupted Connectivity for Your Home or Office

Experience the next level of fiber optic internet with the VSOL V2802DAC, a high-performance xPON Optical Network Unit (ONU) designed to meet the demanding needs of modern FTTH (Fiber to the Home) networks. This versatile device functions as both an ONU and a powerful WiFi 5 router, delivering seamless, high-speed internet access for all your devices. Whether you're streaming 4K content, engaging in competitive online gaming, or running a busy home office, the V2802DAC provides the reliability and performance you need.

Key Features:

  • Dual-Mode xPON Compatibility: Automatically detects and adapts to both GPON and EPON networks, offering maximum flexibility for various fiber internet providers.
  • High-Speed WiFi 5: Equipped with dual-band 802.11ac technology, the V2802DAC delivers combined speeds of up to 1200Mbps (AC1200), ensuring smooth, lag-free performance for all your wireless devices.
  • Gigabit Wired Connections: Two Gigabit Ethernet (GE) ports provide ultra-fast, stable wired connections for devices like PCs, gaming consoles, and smart TVs.
  • EasyMesh Support: Expand your WiFi coverage seamlessly by creating a mesh network with other EasyMesh-compatible devices for whole-home connectivity without dead zones.
  • Advanced Layer 2/3 Functions: Supports a wide range of networking features including VLAN tagging, QoS for traffic prioritization, IGMP Snooping for optimized multicast streaming, and a built-in firewall for enhanced security.
  • IPv4/IPv6 Dual Stack: Future-proof your network with support for both IPv4 and IPv6 protocols, ensuring compatibility with the latest internet standards.
  • Remote Management: Fully manageable through a VSOL OLT using OAM/OMCI, Telnet, WEB, and TR069 protocols, allowing for easy configuration and maintenance.

Technical Specifications

Hardware Parameters
Dimensions (L×W×H) 178mm × 120mm × 30mm
Net Weight 0.31kg
Power Adapter DC 12V, 1A, external AC-DC power adaptor
Power Supply ≤12W
Operating Temperature 0°C to +55°C
Operating Humidity 10% to 90% (non-condensing)
Indicators PWR, PON, LOS, WAN, LAN1, LAN2, 2.4G, 5G
PON Interface
Port Type 1 x PON port (EPON PX20+ and GPON Class B+)
Connector SC single mode, SC/UPC connector
TX Optical Power 0 to +4dBm
RX Sensitivity -27dBm
Transmission Distance 20KM
Wavelength TX 1310nm, RX 1490nm
User & WLAN Interface
User Interface 2 x GE, Auto-negotiation, RJ45 ports
WLAN Standard Compliant with IEEE802.11b/g/n/ac
Frequency 2.4GHz & 5.8GHz
Antenna 2T2R, 5dBi antenna
Speed Up to 1.167Gbps
Wireless Features Multiple SSID, WEP/WAP-PSK(TKIP)/WAP2-PSK(AES) authentication, EasyMesh
Software & Management
Management OAM/OMCI, Telnet, WEB, TR069
Connection Modes Support bridge, router & bridge/router mixed mode
Data Service Functions Full speed non-blocking switching, 2K MAC address table, VLAN support, Port Monitoring/Mirroring/Rate Limiting/SLA, IGMP Snooping
QoS Support 4 queues, SP, WRR, 802.1P, DSCP
L3 Functions Static Route, DHCP Server, NAT/DMZ/DDNS/Virtual Server, DHCP/PPPOE/Static, IPv4/IPv6 dual stack
Security Support ACL, MAC filter, Firewall
Shipping Notes
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SKU: 4103243307

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4.7 ★★★★★
Based on 23 reviews
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Product Reviews
J
Verified Purchase
JR
Lowell, US
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 25, 2018
T
Verified Purchase
Tahoeman
Draper, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Boise, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Houston, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Verified Purchase
Matt M.
Lowell, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021

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